Metallica and Lou Reed reveal secret collaboration on full-length album
A few months ago our own Kirk Hammett hinted at a new Metallica project that’s “not really 100 percent a Metallica record.” While Kirk may have jumped the gun a little (and has since been properly punished with a series of push-ups!), we are more than proud to announce that we have just completed recording a full length album that is a collaboration with none other than the legendary Lou Reed.
Ever since we had the pleasure of performing with Lou at the 25th Anniversary of the Rock and Roll Hall of Fame at Madison Square Garden in October of 2009, we have been kicking around the idea of making a record together. Some of you astute Bay Area residents may have picked up news of recent Lou Reed sightings in the greater San Francisco area and we have indeed been working at our home studio at HQ on and off over the last few months. In what would be lightning speed for a Metallica related project, we recorded ten songs during this time and while at this moment we’re not exactly sure when you’ll hear it, we’re beyond excited to share with you that the recording sessions wrapped up last week.
A true innovator and easily one of the most influential songwriters, musicians, and performers in rock music history, Lou’s work with the Velvet Underground and as a solo artist has such an enduring quality that he has long been revered and respected by us and many of our peers. We can’t wait for you to listen to the finished record, so as we like to hear ourselves say around here, keep watching this spot for updates… we’ll be back with more details as they come together.
What do you think of this match? For my money, Lou Reed’s best work in the last decade has been with Antony Hegarty. Maybe this odd pairing will bring out the best in him too.
As for the lyrics, fingers crossed for something along the lines of, “It’s such a perfect day/I want to dub thee unforgiven.”
Read more on EW.
Listening To Full Length Music Songs - News
we are more than proud to announce that we have just completed recording a full length album that is a collaboration with none other than the legendary Lou Reed. Ever since we had the pleasure of performing with Lou at the 25th Anniversary of the Rock
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The music starts at 8:30 pm, and you get a free CD preview of the upcoming MCF full-length. We talked to McClelland about where this band fits among its members other projects, the status of the new album and some of the best pop bands in St. Louis.
Sage explained the song's epic length by saying that “it was the trend that most songs by bands were very fast and short, to the point… I had to do the opposite.” Flipping the album over, the brooding atmosphere is still present on side two opener
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Fucked Up: David Comes to Life - Music Dissection
&Nbsp; First off, if my parents are reading this, Fucked Up is the name of the group. Therefore swearing is allowed! Hailing from Toronto, the sextet play a form of hardcore punk, and back in 2003 released one of my favourite EPs 'Police'. If you're looking for a repeat of those short bursts of straight forward and furiously angry rock though, you're in for a surprise. Not that Fucked Up haven't shifted around sonically before, but 'David Comes to Life' could be considered radically different. It's a concept album. That's right. A punk. Rock. Concept album. On the one hand, I'm glad the group are trying something new, but for me, it just doesn't work. The story behind the lp is unwieldy and complicated, and by trying to squash it all into the record, the band lose the simplicity punk rock should, in my eyes, try to emulate. Not that there aren't good songs, but instead of getting geared up, I find this album a labour to listen through, and frankly, a labour to love. That doesn't mean there aren't spots of brilliance that shine throughout the record. The instrumentation is competent, and the production, recording and concepts are all thought out well. The problem I have is mainly with the way the band use these ingredients. The mellow moments are in my opinion ruined by the vocalists screams, due to his lacking ability, much like WU LYF's singer, to create dynamics within his voice. The lyrics he sings, however, aren't half bad, filled with gorgeous imagery and details I can't help but adore. Basically, if the story had been shortened and simplified, then I can imagine myself not loving, but enjoying this more than I actually do. An overworked concept is this album's downfall, sucking out the punk simplicity and energetic speed that these eighteen tracks so desperately need in order to conform to my ideals of the genre. Those complaints though, are with the overall impression the album gave, and within that, there are tracks that I can put on repeat and listen to over and over again. 'Queen of Hearts' is one such song. Coming straight in with a fist full of aggression after the loud climax of 'Let Her Rest', this track powers along with some outstanding guitar. Being the first time when the vocals are present, they blow you away, and the passion far out does that of the female singer that comes in throughout the four minutes.
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